By Craig Scharien
My own sex education at school (in the mid ‘90s) was not exactly memorable, but there are a couple sections of Sex Talk in the City that remind me of that time of my life. The group of white desks with graffiti all over them certainly conjure up memories of boredom and a lack of true sexual understanding. The other is the giant black cougar on a striking red wall.
For anyone who was watching movies in the 1960s all the way to the 80’s in British Columbia it is easy to recognize the restricted cougar icon that once acted as a warning about questionable content in film. When I was a kid all it meant was that I wasn’t able to watch anything with the cougar on it. The cougar and the fact that it was forbidden meant that I spent a lot of time scouring the restricted section at Canadian Tire (they used to have movies to rent, believe it or not) looking for a movie I could get away with suggesting to my parents.
These days there are boring rating systems that include things like “18A”, but back then the cougar was a symbol of coarse language, violence, nudity and obscenity in general for movies. It was developed by the BC Film Classification Board and the BC Chief Censor, Ray MacDonald at the time. The hope was that the iconic symbol would help raise public awareness of R-rated films. The cougar plays a very effective role at Sex Talk, by reminding many of us of the way censorship has been approached in our province.
It is also a vehicle for articulating an important point – that obscenity is often in the eye of the beholder. Within the exhibition, it has allowed the Museum to present sexually explicit material and stories of censorship by allowing the visitor to opt in to that element of BC’s history. If you are curious you can take a peek through the holes in the cougar to learn about pivotal moments in the history of the production, consumption and censorship of sexually explicit materials. Like the red drawers in the bedroom section of the exhibition the decisions are left to the visitor, thus making moments of discovery just a bit more and powerful.

One of my favourites is a small book, published in 1971 titled A Guide for the Naïve Homosexual. UBC student Roedy Green self-published this pamphlet as an extension to the counselling sessions he often held at his home as way to help people come out. It contains contact information, advice on coming out, sexuality, religion, and thoughts on gay and lesbian life. It was enormously popular and had 12 printings, the last of which was 3,000 copies.
Another drawer that caught my eye features adaptable sex toys for people who have suffered spinal cord injuries. It highlights an oft forgotten fact that disabilities do not make someone asexual. Produced in a joint project by the British Columbia Institute of Technology the International Collaboration on Repair Discoveries, these vibrators were designed for those with decreased sensitivity with features like easy to hold handles. These are by no means the only devices of this type, but they give great insight into work that is being done on an issue that few are talking about.
Thanks to a few cuddly creatures in “The Classroom” portion of Sex Talk in the City, STDs aren’t nearly as frightening to talk about. In fact, when they were being installed MOV staff openly picked their favourites – at least, their favourites as cuddly creatures.
The evolution HIV/AIDS awareness can be seen in posters like the ones on display in
In the book, Asha is told by her teacher that she can’t go on a field trip because her permission slip is filled out incorrectly and that it is not possible to have two mothers. After her mothers meet with the teacher to explain their daughter’s family situation, Asha is allowed to go on the trip. The other children learn of Asha’s mums and a discussion is had about whether this is a good or bad thing. The conclusion offered by the teacher is that it is just fine, as long as your parents take good care of you.




It could be considered a shield for the heart, or a statement on a culture of fear following 9/11. You could admire it as a beautiful brooch, or an interesting piece of art. 

