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Posted by: Guest Author on April 21, 2013 at 8:26 pm

By Craig Scharien 

My own sex education at school (in the mid ‘90s) was not exactly memorable, but there are a couple sections of Sex Talk in the City that remind me of that time of my life. The group of white desks with graffiti all over them certainly conjure up memories of boredom and a lack of true sexual understanding. The other is the giant black cougar on a striking red wall.

For anyone who was watching movies in the 1960s all the way to the 80’s in British Columbia it is easy to recognize the restricted cougar icon that once acted as a warning about questionable content in film. When I was a kid all it meant was that I wasn’t able to watch anything with the cougar on it. The cougar and the fact that it was forbidden meant that I spent a lot of time scouring the restricted section at Canadian Tire (they used to have movies to rent, believe it or not) looking for a movie I could get away with suggesting to my parents.

These days there are boring rating systems that include things like “18A”, but back then the cougar was a symbol of coarse language, violence, nudity and obscenity in general for movies. It was developed by the BC Film Classification Board and the BC Chief Censor, Ray MacDonald at the time. The hope was that the iconic symbol would help raise public awareness of R-rated films. The cougar plays a very effective role at Sex Talk, by reminding many of us of the way censorship has been approached in our province.

It is also a vehicle for articulating an important point – that obscenity is often in the eye of the beholder. Within the exhibition, it has allowed the Museum to present sexually explicit material and stories of censorship by allowing the visitor to opt in to that element of BC’s history. If you are curious you can take a peek through the holes in the cougar to learn about pivotal moments in the history of the production, consumption and censorship of sexually explicit materials. Like the red drawers in the bedroom section of the exhibition the decisions are left to the visitor, thus making moments of discovery just a bit more and powerful.

Posted by: Guest Author on April 15, 2013 at 4:24 pm

By Arleigh McKerlich

Now that the days are becoming warmer and sunnier, Vancouverites are returning to a long-time favourite recreation spot: English Bay Beach.

Residents of Vancouver have been flocking to "First Beach" since the earliest days of the city. Called "Ayyulshun" (soft under feet) by the First Nations people, the name “English Bay” commemorates the meeting of Captain George Vancouver, along with Spanish captains Valdes and Galiano, in 1792. (This is also how Spanish Banks received its name.)

The beach was opened for recreation in 1893, sand was added in 1898, and by 1900 the Davie Street tram line made it accessible to residents from all over Vancouver. Residents built a pier, summer cottages, a dance hall called "the Prom", and a bathhouse. The original structures were all built out of wood, but the current concrete bathhouse was built in 1932.

As early as 1913, visitors to English Bay who had forgotten their bathing suits could rent one (10 cents for an adult, 5 cents for a child) along with towels and lockers. The wool suits were rented until the 60s at the majority of Vancouver’s beaches.

In 1939, the bathhouse  was converted into the city's first aquarium featuring Oscar the Octopus but by 1956, the aquarium facility was closed and manager Ivar Haglund moved to Seattle and started up a seafood business (Ivar’s Acres of Clams).

Today the bathhouse has new uses, including acting as a stage during the Celebration of Lights each summer and drawing record numbers of people to its sandy shore.

Posted by: Guest Author on April 8, 2013 at 2:42 pm

By Craig Scharien

A highlight of the bedroom section of Sex Talk in the City is a striking wall of red drawers. Meant evoke thoughts of a chest of drawers in the bedroom, it holds fascinating treasures and memories that aren’t always thought of or talked about – and are often, in fact, hidden.

When designing the exhibition, the drawers were added in to pull from each visitor our own memories of digging through our parents or older siblings drawers – and how what you found may have taught you some of what you know today about sexuality.

Dig into the Sex Talk drawers and you will be rewarded with a look at unique items regarding sexuality presented in an informative light.

One of my favourites is a small book, published in 1971 titled A Guide for the Naïve Homosexual. UBC student Roedy Green self-published this pamphlet as an extension to the counselling sessions he often held at his home as way to help people come out. It contains contact information, advice on coming out, sexuality, religion, and thoughts on gay and lesbian life. It was enormously popular and had 12 printings, the last of which was 3,000 copies.

Another drawer that caught my eye features adaptable sex toys for people who have suffered spinal cord injuries. It highlights an oft forgotten fact that disabilities do not make someone asexual. Produced in a joint project by the British Columbia Institute of Technology the International Collaboration on Repair Discoveries, these vibrators were designed for those with decreased sensitivity with features like easy to hold handles. These are by no means the only devices of this type, but they give great insight into work that is being done on an issue that few are talking about.

These are just two of the many red drawers in Sex Talk, and you never know what you might find. So pretend you’ve been left home alone and get in there and open some drawers!

Also, share YOUR story of what you've found around your house growing up that taught you about sexuality.

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Posted by: Guest Author on March 25, 2013 at 3:59 pm

By Arleigh McKerlich

A big part of Sex Talk in the City is about breaking the ice and creating opening points for conversation about sex and sexuality. In one of the 4 videos included in the exhibition (all done by the wonderful Gwen Haworth) a former nurse tells the story of how she got involved in sex education – she was frequently seeing women come in to the hospital dying of STDs because they were too ashamed to speak of them.

Thanks to a few cuddly creatures in “The Classroom” portion of Sex Talk in the City, STDs aren’t nearly as frightening to talk about. In fact, when they were being installed MOV staff openly picked their favourites – at least, their favourites as cuddly creatures.  

Founded by Drew Oliver in 2002, GIANTmicrobes Inc. is a US-based company that makes stuffed toys of microbial life of all kinds. At the MOV, we have as our guests a few of their “venereals” series, including chlamydia, gonorrhea, HPV, syphilis, herpes, and HIV. Each creature comes with a tag that has an electron scanner picture of the microbe in question and a series of facts and trivia that both inform and amuse the reader.

Originally marketed to children and as gag gifts between adults, the popularity of the toys have expanded from the Common Cold and E. Coli to Red Blood Cells and Dust Mites. Many medical professionals use them to break the ice when talking to patients about difficult topics and educators use them to make important health issues more approachable. On their website, the company states that “the dissemination of information is exactly the point.” Many reviewers speak of how the cuteness of the toys can make the diseases and creatures who cause them seem less scary.

Products like the GIANTmicrobes are part of a recent approach to sexual health education where the belief is that the facts about healthy sexual activity should be accessible to everyone.

If these adorable little diseases seem like common sense, visit Sex Talk in the City to see some of the (significantly less adorable) methods that been have used in the past and present to educate Vancouverites about sex.

So tell us, what STI is YOUR favourite? How have these kinds of learning tools changed how you understand your own body?

Posted by: Guest Author on March 18, 2013 at 3:13 pm

by Craig Scharien

Founded in 1983 by a small group of men in the West End, AIDS Vancouver is now celebrating their 30th anniversary. The founders took initiative despite the fact that only six cases of HIV/AIDS had been reported in the city at the time. The group began attending health conferences, distributing information, and planning local action and forums, thus laying the groundwork for AIDS Vancouver. In the 30 years since, the organization has evolved into a vital component of Vancouver’s health care system. They offer numerous services – case management and support programs, a supplemental grocery service and fundraising, just to name a few. Perhaps their most crucial role is raising awareness about a disease which is now often seen as chronic rather than fatal.

The evolution HIV/AIDS awareness can be seen in posters like the ones on display in Sex Talk in the City. Initially posters were aimed primarily at gay men and focussed on prevention: like reminders to wear condoms. Today, posters are far less direct and are more broadly focussed. The priority has moved from prevention to knowing your status and getting tested. One of the more recent posters features a man of Asian descent with the slogan “Get Tested” showing insight into the population demographics of Vancouver and their focus on testing.

Evolution can also be seen in treatment; the cocktail of drugs has been streamlined and has become far more effective. Viviane Gosselin, curatorial lead for Sex talk in the City was keen to show this progression, but finding ‘vintage’ pills was not easy.

“I had not anticipated that the most difficult artefacts to acquire for Sex Talk in the City would be the HIV/AIDS pills," explained Gosselin. "I talked to several organizations and representatives from drug companies and the responses were either: ‘we don’t keep old pills’ or ‘we are not allowed to let drugs circulate in the public’. We had dedicated people at the BC Centre for the Disease Control who investigated on our behalf and located a researcher at the BC Centre for Excellence in HIV/AIDS Research who ‘collects’ old HIV/AIDS pills, starting with the first pill regimen from the late 1980s. After reassuring this researcher that public access to the pills would be limited to seeing (not touching or tasting!) we were able to proceed with a loan.  This process took several months!”

The evolution of piles of pills to today’s doses can be seen in Sex Talk in the City thanks to her sourcing.

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Posted by: Guest Author on March 11, 2013 at 2:29 pm

(Guest post by Arleigh McKerlich)

Children’s book “Asha’s Mums” was one of the first books written for elementary age children that portrayed a family with same-sex parents. Written by Rosamund Elwin and Michele Paulse and illustrated by Dawn Lee, it was first published in 1991.

In the book, Asha is told by her teacher that she can’t go on a field trip because her permission slip is filled out incorrectly and that it is not possible to have two mothers. After her mothers meet with the teacher to explain their daughter’s family situation, Asha is allowed to go on the trip. The other children learn of Asha’s mums and a discussion is had about whether this is a good or bad thing. The conclusion offered by the teacher is that it is just fine, as long as your parents take good care of you.

In 1997, kindergarden teacher James Chamberlain applied for approval of this book and two others (“Belinda’s Bouquet” and “One Dad, Two Dads, Brown Dad, Blue Dads”) for use as teaching aids in his classroom. In response, the Surrey School Board issued resolutions that stated resources from gay and lesbian groups were not approved for use or redistribution in the school district.

After these resolutions were passed, resources like library books, pamphlets, and posters that promoted sexual diversity and tolerance were removed from all Surrey schools. Chamberlain — supported by teachers in other school districts in the Lower Mainland where these materials were allowed — launched a court case to challenge the ruling of the Surrey School Board. After much publicity and appeals by both sides, the case was considered by the Supreme Court of Canada and judgement handed down in 2002. The Court found that the Board’s decision was unreasonable and that the Board had acted contrary to provincial statute as well as its own regulations regarding curriculum materials, both of which stress tolerance and inclusion. The Court directed the decision to be reconsidered by the School District, with Chief Justice Beverly McLachlin noting that “tolerance is always age-appropriate.”

(full text of the decision available at http://www.canlii.org/en/ca/scc/doc/2002/2002scc86/2002scc86.html)

After revisiting its decision in 2003, the Surrey School Board still found “Asha’s Mums”, “Belinda’s Bouquet”, and “One Dad, Two Dads, Brown Dad, Blue Dads” to be inappropriate for use as curriculum material. The Board was critical (among other things) of the books’ depiction of men, problematic and inconsistent grammar, and of the issue of dieting being inappropriate for kindergarden age children.

While 18 of the province's 60 school districts have policies in place regarding anti-homophobia, Burnaby and Surrey School Districts have not been able to develop a policy because of push-back from parents. Recently, protest and submissions from students have led the Surrey School District to say last summer that they would begin developing an anti-bullying policy in the fall that includes anti-homophobia strategies, as well as racism and physical disability

Posted by: Amanda McCuaig on February 18, 2013 at 2:27 pm

When Viviane, Curatorial Lead of Sex Talk in the City, began her research on vibrators she was a little surprised to find that the Museum already had one in its collection.

But one vibrator does not a vibrator display make. To flesh out the history of the vibrator Viviane connected with Vancouver’s own Womyns’Ware, to see if they would be willing to loan their impressive collection of vintage vibes.

I got to take a field trip out to Commercial Drive where I spent a fun-filled hour with Womyn’sWare director Otter Luis photographing pieces from their collection and laughing about how happy the people depicted on the packaging were (we’re pretty sure that one couple pictured were happily doing their taxes together).

Sex Talk in the City features 11 vibes from Womyns'Ware's collection.

Womyns’Ware is a leader in Canada for designing healthy sex toys and for their innovative way of thinking about operating a sex toy store. A big part of what they do is make asking questions easy – Just a few years ago I went in with my mom and one of her best (male) friends because he was curious as to why a sex store would have such an accessible store front and just HAD to check it out. It was his first time ever in a sex store, and the staff let him ask a million questions. He’s ranted about the great experience ever since.

Andrea Dobbs of Womyns’Ware wrote a post for us last year about society’s fears around sexuality, and it’s a must read if you haven’t already.

This Thursday Womyns’Ware is coming to the MOV to lead a workshop in designing for pleasure! So come, get inspired by vibes from the past 100 years, and design your own while learning about the history of sexual satisfaction by technology historian Rachel Maines (whose research inspired the movie Hysteria).

Posted by: Kate Follington on October 17, 2012 at 10:29 am

Within the history galleries at the Museum of Vancouver hangs one of the city's most beloved reminders of the local alt-rock and punk music scenes, a giant flashing neon sign of a bald red buddha. Originally taken from the neon strip along Hastings Street the sign belonged to the Smilin' Buddha Cabaret. Originally a reputable Chinese restaurant, the cabaret reinvented itself over 4 decades culminating as the home of the 80's punk scene. The sign was eventually donated to the Museum in 2008 by the band 5440. In 1995 they ended up with the sign and decided to take it on tour. 

At the height of their popularity the alt-rock band 5440 released their 3rd album and named it after the sign and music venue. 

Early in 2012 Vocalist Neil Osborne and bassist Brad Merritt visited the MOV history galleries and shared with staff the wild story of the Buddha tour of '95 and that giant neon sign.

Posted by: Amanda McCuaig on October 14, 2012 at 10:12 pm

When Tobias Wong released “This is a Lamp” – a Phillip Stark bubble chair installed with a light bulb and a pull chord – it was considered his breakout moment. It was the beginning of his acquirement of nick names like “Bad Boy” and “Enfant terrible of the design world.” He was showing what he did best – taking every day objects and twisting them to create a point of conversation.

Looking at it, I always wonder who got to sit in that chair. Would I sit in it, if it were in my house? Or would I put it on display. I dug into openMOV to see what Vancouver chairs we have in our collection, and who was sitting in them.

This cute almost wicker style chair was owned by Frances Barkley, the first European woman to view the coast of what would later be called British Columbia. She came while on a three-year honeymoon with her husband, Captain Charles William Barkley. The chair was made in Malacca between 1750 and 1775.

Frances Barkley's chair

Then there is, of course, this lovely summery chair that was owned by Joe Fortes, the English Bay beach lifeguard and swimming instructor. He enjoyed the ocean view from his cottage at English Bay c. 1900-1920 while sitting in this chair, which he found at the cottage when he moved in.

Joe Fortes' chair

And for the orderly and rigid Sir Matthew Baillie Begbie, a more stiff chair. Begbie was the first Chief Justice of British Columbia, starting in 1858. Some say the orderliness and lack of crime during the gold rush in BC were probably due to Begbie’s rigid, but fair, enforcement of the law.

Judge Begbie's chair

 

 

Posted by: Amanda McCuaig on September 24, 2012 at 4:31 pm

Ballistic Rose by Tobias WongIt could be considered a shield for the heart, or a statement on a culture of fear following 9/11. You could admire it as a beautiful brooch, or an interesting piece of art. Tobias Wong hit chords soft and strong when he produced the Ballistic Rose back in 2004.

Accompanying the rose is the Bulletproof Quilted Duvet, a black duvet cover made from Kevlar and sewn with a pattern of ivy and centered with a rose image. Usually, we don't associate roses with violence, or bullets with bedding. In my life, roses have typically been associated with old lady furniture, 1990s Home Interior decor, birthday cards from my grandmother, and things I need to buy for my mother's birthday.

To get a sense of just how far out the Ballistic Rose is from what we typically think of as roses, I hit OpenMOV with a search for "rose".

If this isn't "normal" for roses, I just don't know what it is. Laura Chadsey handed out these calling cards way back c. 1870-1890. A cute cat, a red rose.

A 1880s calling card w rose

A bit more unusal for the search for roses is a Foncie Foto of Rose McCarthy, who was visiting Vancouver from Winnipeg on a windy day in April 1955.

Foncie Foto from MOV collection

But my favourite is Pauline Johnson's lingerie bag - a small drawstring sack owned by the famous Mohawk poet and writer who was born in Brantford, ON, and died and was buried in Vancouver. She is known for writing Legends of Vancouver, and when she passed away in 1913 her funeral was the largest held in Vancouver to date.

Pauline Johson's lingerie bag

In this video clip, Object(ing) co-curator Viviane Gosselin talks about the Ballistic Rose.

 

 

What rose artifacts do you have in your house or family?

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